Johannes Breyer

Graphic Design & Typography

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18 – 03 –2013
For the current issue of GRID MAGAZINE (Graphic Design / Industrial Design), journalist Rebekka Kiesewetter wrote a detailed article about my work and other things I did over the past years. Get a copy at your local dealer.

 

29 – 01 –2013
Typefaces have been granted their own section.

 

28 – 12 –2012
Hugo Hoppmann and me are giving a two day workshop during the VOID conference (11.–15.01.2013) in Düsseldorf, Germany.

 

Our concept:

“One of the luxuries coming along with graphic design is that we can create and apply own material. By designing a typeface one takes a snapshot of his environment and extends the role of a computer operator into one of an observer and creator. The shape of a typeface carries a statement within and consequently creates the connection between a graphical language and its author. While software enables us to produce shapes more specific then ever, the basic ideas remain the same.

 
During our workshop we will construct, test and manipulate self-made drawing tools by hand. We will adjust them precisely to our needs and develop them further in response to their visual output. This way we can investigate how a design method for a tool becomes visible at its execution. Those observations can serve as starting points for a digital typeface production later on.”

 

15 – 10 – 2012
Together with Fabian Harb I’m giving a workshop and lecture to students of the University of Arts in Coburg coming November. The title is “Now You Can Read It!” and there’s a trailer.

 

21 – 08 – 2012
Website and Typeface for Berlin/London based photographer Lena Emery. In collaboration with Asger Behncke Jacobsen.

 

15 – 02 – 2012
We are very happy to be invited again to the School of Design in Mainz to give a four days long typedesign workshop. This time Hugo and me team up with our fellow Fabian Harb and his jedi-like type knowledge.

 

04 – 11 – 2011
I will participate in the ‘font-market’, taking place the 10.12. in Zurich. Designers from Switzerland and abroad will be there to sell their own fonts, catalogues, and posters.

 

22 – 10 – 2011
The last two months, preferably on rainy days, I designed the website of Berlin based stylist Stephanie Canisius. That wouldn’t have been possible without Ueli Banholzer, my own swiss knife of web development.

 

25 – 7 – 2011
Summertime. The one and only typeface to trust, JB Heureka, just hit the streets with a bold smile on its face. All revised, extended, open-typed – have a look and get in shopping mood.

 

21 – 6 – 2011
Simultaneously to the ARTE documentary about my friend Monja, I finished her new website. Please check Monja Gentschow and watch: Arte Creative

 

29 – 3 – 2011
Together with Hugo I am invited to give a three days long workshop about typography and editorial design to graphic design students of the University of the Arts in Mainz.

 

28 – 3 – 2011
I was asked to contribute to Prety–Ugly, an exhibition, a series of talks, an auction and a publication exploring the paradox of “designing the undesigned” – organized by the MA Communication Design at Central Saint Martins, London.

 

08 – 3 – 2011
I did the graphic design for the 6th issue of the Design Made in Germany magazine.

 

18 – 2 – 2011
Things could be worse: my contribution for the new Amsterdam Film Museum (EYE) won the design prize “Edits” and will be displayed in 3×4 meters in front of the Amsterdam mainstation for the next years.

 

12 – 12 – 2010
My semester at the Rietveld Academie is over – I had the time of my life! Thanks to the nice people there I will return to Amsterdam after my stage at NORM and continue being an attentive pupil.

 

30 – 11 – 2010
Some of my recent editorial design work will be shown in a book called “The Creative Editorial Design Worldwide” – published by Sandu Publishing, Guangzhou, China.

 

07 – 10 – 2010
Commissioned by ARCADEMI, I again collaborated with Larissa Kasper on the design of a tote bag, inspired by the old tradition of image-puzzle-riddles. Edition of 100, silk screened and numbered.

 

15 – 08 – 2010
Out of the dark: website for Berlin based magazine 032c!

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    • Hugo Hoppmann and me were giving a two day workshop during the VOID conference (11.–15.01.2013) in Düsseldorf, Germany.

      From our brief: "During our workshop we will construct and manipulat self-made drawing tools by hand. We adjust them precisely to our needs and develop them further in response to their visual output. This way we can investigate how a design method for a tool becomes visible at its execution. Those observations can serve as starting points for a digital typeface production later on."

    • Visual identity and campaign for the ‘Open Day’ of the Gerrit Rietveld Academie. Until  the 25th of January 2013, the campaign got built up slowly consisting of teasers, videos, posters and signage. In collaboration with David Kulen; with help from Panagiotis Panagiotakopoulos, Gaile Pranckunaite and Robin Scholz.

      Follow the campaign on Facebook. Visit official website here. Watch a total of seven videos on Vimeo.

    • Logo based on an own typeface for textile designer Sarah O’Sullivan, London.

    • Website and custom typeface for Berlin/London based photographer Lena Emery. In collaboration with Asger Behnke Jacobsen. Vist website here.  

    • Book documenting a 4 days long workshop on type design held by Marco Walser and Radim Pesko.
      Design in collaboration with Radim, Sophie, Sven and Judith. Gerrit Rietveld Academie, Amsterdam, 2012.

    • Gerrit Rietveld Academie, Amsterdam, 2012.
      Editing, Photography and Design in Collaboration with Anton Stuckardt.
      Thanks to Floor Koomen and Mathieu Lommen.

    • What I call ‘RETARDOGRAPH’ is my manipulated version of the pantograph, a (wooden) drawingtool constructed in 1603 by Christoph Scheiner, who used the device to copy and scale diagrams. My device comes along with a set of shapes that can be combined in various different ways. Each combination of those parameters (shapes) provide the executing person with a different outcome. Unlike the original pantograph, which simply scales the source drawing, the ‘RETARDOGRAPH’ beyond that functions as an one-way encryptor: although the outcome is based on the source, it only develops its final form through the sequence of mechanically linked movements which are set in motion by tracing. The outcome is a deciphered drawing, with the executor knowing its key middle part.

      Gerrit Rietveld Academie, Amsterdam 2012.
      Thanks to Jonathan Puckey.

    • Website for Berlin based magazine 032c. In collaboration with Hugo Hoppmann and Uli Schöberl.

    • Bingo is my interpretation of a squared typeface I came across browsing through old specimen books, and developed further with the help of NORM. Having its roots somewhere in the dustfields of american woodtype, and bold and heavy as always, Bingo comes up with another detail unusual to the ordinary college-style: a simple squared outside is combined with a polygon-inside shape, that still appears rounded at small size. Download the Specimen to zoom in and out, check the full character set and the alternative glyphs.

    • For this poster I designed a hairline font that combines both, grotesque and fracture characteristics. We cut the hairline type into a woodblock, placing each block contrawise aslope into the laser. This trick causes that the laser loses focus from a certain inclination on – and the type shapes get more and more blurry. One printing block is sharp on top and blurry at the bottom; the second one the other way around. With both woodblocks printed one upon the other, two contrawise sharpness-gradients appeare, reaching their only congruency in the middle of the poster.

      Together with Dafi Kühne, Zürich.